Quick Time Player (’25)

Bicycle
਀⠀ᤀ㘠　 漀爀 ᤀ㌠　 ጀ†猀栀漀爀琀 瘀攀爀猀椀漀渀⤀㰀⼀栀㈀㸀 Collecting and arranging.
਀䴀漀瘀椀渀最 愀渀搀 昀椀最栀琀椀渀最⸀㰀戀爀㸀 Work is done.
਀䐀爀攀愀洀猀 眀攀爀攀 戀甀椀氀琀⸀㰀戀爀㸀 Great moment comes.
਀圀栀攀渀 最漀漀搀 椀猀 戀愀搀⸀㰀戀爀㸀 This is happiness and joy.
਀吀漀 樀漀椀渀 琀栀椀渀最猀 椀渀 攀渀琀椀爀攀 眀栀漀氀攀⸀㰀⼀椀㸀
਀㰀戀爀㸀 Work is inspired by the play Half-idealist by famous Latvian poet Rainis.
਀吀栀椀猀 椀猀 愀 瀀爀漀樀攀挀琀 眀栀攀爀攀 渀攀眀 愀渀搀 眀漀爀欀椀渀最 洀攀琀栀漀搀猀 愀爀攀 琀爀椀攀搀 愀渀搀 焀甀攀猀琀椀漀渀猀 愀戀漀甀琀㰀戀爀㸀 the relations among text, inspiration, dance and theoretical approach to
਀琀栀攀 愀爀琀猀 愀爀攀 愀猀欀攀搀⸀ 吀栀攀 挀漀氀氀愀戀漀爀愀琀椀漀渀 戀攀琀眀攀攀渀 琀栀攀 挀栀漀爀攀漀最爀愀瀀栀攀爀 愀渀搀 搀爀愀洀愀琀甀爀最攀㰀戀爀㸀 bringing in direct interpreted and speculative information is very important.
਀吀栀攀 愀椀洀 椀猀 琀漀 瀀爀漀瘀椀搀攀 甀渀椀琀礀 愀渀搀 栀愀爀洀漀渀礀 漀昀 挀爀攀愀琀椀瘀攀 瀀爀漀挀攀猀猀 椀渀 漀爀搀攀爀 琀漀 愀渀猀眀攀爀㰀戀爀㸀 whether we – as half-idealists can approach something we can call an ideal?
਀䄀渀搀 椀猀 椀琀 渀攀挀攀猀猀愀爀礀㼀㰀⼀椀㸀㰀戀爀㸀
਀䌀栀漀爀攀漀最爀愀瀀栀礀 愀渀搀 瀀爀漀挀攀猀猀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀 愀渀搀 搀愀渀挀攀爀猀㰀戀爀㸀 Music: Dzelzs Vilks /Juris Kauklis, Kaspars Tobis/
਀䐀愀渀挀攀㨀 䤀氀稀攀 娀椀爀椀渀愀Ⰰ 刀愀洀漀渀愀 䜀愀氀欀椀渀愀Ⰰ 䐀洀椀琀爀椀樀猀 䜀愀椀琀樀甀欀攀瘀椀挀猀Ⰰ 䄀渀搀爀椀猀 䬀愀挀愀渀漀瘀猀欀椀猀Ⰰ 嘀愀氀攀爀椀樀猀 伀氀攀栀渀漀㰀戀爀㸀 Dramaturge: Inta Balode
਀䰀椀最栀琀 搀攀猀椀最渀㨀 䤀最漀爀 䬀愀瀀甀猀琀椀渀 ⠀䔀猀琀漀渀椀愀⤀㰀戀爀㸀 Choreographer’s assistant: Fiona Millward (Grate Britain)
਀䌀漀猀琀甀洀攀猀㨀 娀攀渀琀愀 䬀愀挀愀渀漀瘀猀欀愀㰀戀爀㸀 Somebody from audience in premiers: Claire Porter (USA)
਀㰀戀爀㸀 Performances:
਀䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀 ⠀㈀㤀⸀Ⰰ㌀　⸀㄀㄀⸀㈀　　㜀⤀ ⼀瀀爀攀洀椀攀爀⼀㰀戀爀㸀 Laiks dejot (Time to Dance), Daile’s Theatre, Small stage (29.02.2008) /short version/
਀㰀椀㸀一攀眀 䈀愀氀琀椀挀 䐀愀渀挀攀ᤀ〠㠀㰀⼀椀㸀Ⰰ 嘀椀氀渀甀猀 ⠀㄀　⸀　㔀⸀㈀　　㠀⤀ ⼀猀栀漀爀琀 瘀攀爀猀椀漀渀⼀㰀戀爀㸀 Laiks dejot (Time to Dance), Daile’s Theatre, Small stage (06.06.2008.) /short version/
਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀䴀䄀 氀漀 䬀伀㰀⼀栀㈀㸀 He was born different than others…
਀ᰀ吠栀攀 眀愀礀 䤀 氀漀漀欀 椀猀 爀甀椀渀椀渀最 洀礀 瀀猀礀挀栀攀⸀ᴀ㰠戀爀㸀 The piece is devoted to Janek.
਀䈀氀甀攀 昀攀愀爀 昀爀漀洀 氀漀渀攀氀椀渀攀猀猀⸀ 㰀戀爀㸀 To blow to fate.
਀䔀砀椀猀琀椀渀最Ⰰ 渀漀琀 氀椀瘀椀渀最⸀㰀戀爀㸀 How long can I endure?਀㰀戀爀㸀 
਀䌀栀漀爀攀漀最爀愀瀀栀礀㨀 嘀愀氀攀爀椀樀猀 伀氀攀栀渀漀 ☀ 搀愀渀挀攀爀猀㰀戀爀㸀 Music: Clint Mansell, Nick Soudnick
਀䐀愀渀挀攀㨀 䤀氀稀攀 娀椀爀椀渀愀Ⰰ 䄀渀搀爀椀猀 䬀愀挀愀渀漀瘀猀欀椀猀Ⰰ 䐀洀椀琀爀椀樀猀 䜀愀椀琀樀甀欀攀瘀椀挀猀
਀㰀戀爀㸀
਀㰀戀爀㸀

Road Movie

਀㰀椀㸀䄀渀 椀渀琀攀爀愀挀琀椀瘀攀 搀愀渀挀攀Ⰰ 洀甀猀椀挀 愀渀搀 瘀椀搀攀漀 愀爀琀 猀栀漀眀 挀爀攀愀琀攀搀 攀猀瀀攀挀椀愀氀氀礀㰀戀爀㸀 for the contemporary culture forum “White Night 2006”.
਀㔀ⴀ栀漀甀爀 氀漀渀最 猀栀漀眀 搀甀爀椀渀最 眀栀椀挀栀 攀椀最栀琀 搀愀渀挀攀爀猀Ⰰ 琀栀爀攀攀 洀甀猀椀挀椀愀渀猀 愀渀搀㰀戀爀㸀 a video artist together with spectators move through the streets
਀漀昀 伀氀搀 刀椀最愀 猀栀漀眀椀渀最⼀挀爀攀愀琀椀渀最 愀氀椀瘀攀 刀漀愀搀 䴀漀瘀椀攀⸀ 㰀戀爀㸀 The creators of the show offer improvised and set episodes that combine
਀眀椀琀栀 漀渀攀 愀渀漀琀栀攀爀 漀渀氀礀 搀甀爀椀渀最 琀栀攀 瀀攀爀昀漀爀洀愀渀挀攀 昀漀氀氀漀眀椀渀最 匀䤀䜀一匀⸀㰀戀爀㸀 ROAD and ROAD SIGNS in all their possible variations for the dancers,
਀洀甀猀椀挀椀愀渀猀 愀渀搀 瘀椀搀攀漀 愀爀琀椀猀琀 椀猀 琀栀攀 琀栀攀洀攀 漀昀 琀栀椀猀 ᠀愠氀椀瘀攀 洀漀瘀椀攀ᤀ⸠㰀⼀椀㸀㰀戀爀㸀 
਀䌀栀漀爀攀漀最爀愀瀀栀礀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀 ☀ 搀愀渀挀攀爀猀㰀戀爀㸀 Music: Dzelzs Vilks
਀䐀愀渀挀攀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀Ⰰ 䤀氀稀攀 娀椀爀椀渀愀Ⰰ 刀愀洀漀渀愀 䜀愀氀欀椀渀愀Ⰰ 䰀椀攀渀攀 䈀攀爀稀椀䘀愁Ⰰ㰀戀爀㸀 Andris Kacanovskis, Dmitrijs Gaitjukevics, Valerija Olehno, Guntis Spridzans
਀嘀椀搀攀漀 ☀ 挀漀洀瀀甀琀攀爀 最爀愀瀀栀椀挀猀㨀 伀氀最愀 䬀甀洀攀最攀爀 ⠀刀甀猀猀椀愀⤀㰀戀爀㸀
਀㰀戀㸀倀攀爀昀漀爀洀愀渀挀攀猀㨀㰀⼀戀㸀㰀戀爀㸀 Old Riga (26./27.08.2006)
਀㰀椀㸀䰀愀椀欀猀 搀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀Ⰰ 匀愀瀀渀甀 䘀愀戀爀椀欀愀Ⰰ 刀椀最愀 ⠀㄀㠀⸀　㄀⸀㈀　　㠀⤀㰀戀爀㸀 /adapted version/
਀㰀戀爀㸀
਀㰀戀爀㸀

Dance and video project
਀䌀漀漀瀀攀爀愀琀椀漀渀 眀椀琀栀 䐀稀攀氀稀猀戀攀琀漀渀猀 䴀䈀 䰀椀攀瀀愀樀愀㰀⼀栀㈀㸀 Choreography: Olga Zitluhina & dancers
਀嘀椀搀攀漀㨀 䨀愀渀椀猀 刀攀搀氀椀栀猀㰀戀爀㸀 Dance: Ilze Zirina, Ramona Galkina, Liene Berzina, Andris Kacanovskis,
਀䐀洀椀琀爀椀樀猀 䜀愀椀琀樀甀欀攀瘀椀挀猀Ⰰ 嘀愀氀攀爀椀樀猀 伀氀攀栀渀漀Ⰰ 䬀爀椀猀琀攀爀猀 䴀愀琀甀猀攀瘀椀挀猀㰀戀爀㸀 (17.03.2006)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀儀甀愀爀琀琀攀猀挀漀瀀攀㰀⼀栀㈀㸀 Quarttescope is a dance piece that blends itself to many states of transformation.
਀䈀礀 昀爀愀洀椀渀最 琀栀攀 猀瀀愀挀攀 眀攀 栀愀瘀攀 挀爀攀愀琀攀搀Ⰰ 愀 猀瀀爀椀渀最戀漀愀爀搀 琀漀 瀀氀愀礀 眀椀琀栀⸀㰀戀爀㸀 Four dancers interpret, create and collaborate with me. It is a delicate balance between
਀琀爀愀渀猀氀愀琀椀渀最 愀 瀀爀漀挀攀猀猀 漀昀 椀洀瀀爀漀瘀椀猀攀搀 愀渀搀 猀攀琀 洀愀琀攀爀椀愀氀⸀  伀昀 挀爀攀愀琀椀渀最 猀漀洀攀琀栀椀渀最 爀攀愀氀 愀渀搀㰀戀爀㸀 unreal the scope is improbable. There are many layers. The dance is visual insight of਀㰀戀爀㸀漀甀爀 樀漀甀爀渀攀礀 琀漀最攀琀栀攀爀 猀漀 昀愀爀⸀ 䤀琀 椀猀 洀愀搀攀 甀瀀 漀昀 昀漀甀爀 攀氀攀洀攀渀琀猀㨀 琀栀攀 搀愀渀挀攀爀猀Ⰰ 琀栀攀 氀椀最栀琀㰀戀爀㸀 design, the music and the watcher. It is only when the fourth element is present that
਀昀爀愀洀攀 戀攀挀漀洀攀猀 眀栀漀氀攀⸀㰀戀爀㸀  With this in reference it is hoped that you, the watcher, can help open up another window
਀漀昀 攀瘀攀渀琀猀 琀漀 眀椀琀渀攀猀猀 琀栀攀 搀攀瀀琀栀 漀昀 琀栀椀猀 眀漀爀欀⸀  ⠀䄀渀搀爀攀愀 䈀甀挀欀氀攀礀⤀㰀⼀椀㸀㰀戀爀㸀
਀䌀栀漀爀攀漀最爀愀瀀栀礀 ☀ 挀漀渀挀攀瀀琀椀漀渀㨀 䄀渀搀爀攀愀 䈀甀挀欀氀攀礀 ☀ 搀愀渀挀攀爀猀㰀戀爀㸀 Dance: Ilze Zirina, Ramona Galkina, Inga Raudinga, Liene Berzina
਀䴀甀猀椀挀㨀 匀椀愀渀攀搀 䨀漀渀攀猀Ⰰ 䐀愀渀椀攀氀 圀椀氀氀椀愀洀猀㰀戀爀㸀 Costumes: Sheyla
਀䰀椀最栀琀 搀攀猀椀最渀㨀 䠀愀爀椀樀猀 娀愀氀椀琀椀猀Ⰰ 伀氀最愀 娀椀琀氀甀栀椀渀愀
਀㰀戀爀㸀 Performances:
਀㰀椀㸀䰀愀椀欀猀 搀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀Ⰰ 䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀 ⠀刀椀最愀Ⰰ ㄀㘀⸀　㈀⸀㈀　　㘀⤀㰀戀爀㸀 I International Contemporary Dance Festival Laiks dejot (Time to Dance)
਀䜀爀椀瘀愀猀 䴀攀戀攀氀攀猀 ⠀刀椀最愀Ⰰ ㈀㈀⸀　㘀⸀㈀　　㘀⤀㰀戀爀㸀 The Cornerstone Festival (Liverpool, UK, 28., 29.11.2006)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀吀愀欀攀 㜀㌀㔀㰀⼀栀㈀㸀 Dancy and musical play for men
਀㰀椀㸀圀栀攀琀栀攀爀 洀愀渀 椀猀 愀 栀攀爀漀⸀⸀⸀琀栀攀 洀攀愀渀椀渀最 漀昀 栀攀爀漀椀猀洀☀㰠戀爀㸀 THEY are located in the private and public women-proof space.
਀圀栀愀琀 䤀 眀愀渀琀 椀猀 愀 瀀攀愀挀攀 愀琀 琀栀攀 吀嘀⸀ 䤀 氀漀瘀攀 昀椀猀栀椀渀最⸀㰀戀爀㸀 So many details to think about. Silence and nature, nobody ask questions.
਀匀琀椀氀氀 愀 氀漀琀 漀昀 琀栀椀渀最猀 猀栀漀甀氀搀 戀攀 搀漀渀攀⸀ 夀漀甀 眀椀氀氀 猀攀攀 栀漀眀 最漀漀搀 䤀 愀洀⸀㰀戀爀㸀 I control the situation, I move forward.
਀䄀渀搀 椀昀 猀甀搀搀攀渀氀礀 猀漀洀攀琀栀椀渀最 最漀攀猀 眀爀漀渀最Ⰰ㰀戀爀㸀 I can by 735 and then no speed limits.
਀㰀戀爀㸀 Choreography: Olga Zitluhina & dancers
਀䴀甀猀椀挀㨀 䐀稀攀氀稀猀 嘀椀氀欀猀 ⼀䨀甀爀椀猀 䬀愀甀欀甀氀椀猀Ⰰ 䬀愀猀瀀愀爀猀 吀漀戀椀猀⼀㰀戀爀㸀 Dance: Dmitrijs Gaitjukevics, Andris Kacanovskis, Valerijs Olehno (Kristers Matusevics)
਀䌀漀猀琀甀洀攀猀㨀 娀攀渀琀愀 䬀愀挀愀渀漀瘀猀欀愀Ⰰ 伀氀最愀 娀椀琀氀甀栀椀渀愀㰀戀爀㸀 Light design: Igor Kapustin (Estonia)
਀㰀戀爀㸀 Performances:
਀㰀椀㸀䰀愀椀欀猀 搀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀Ⰰ 䜀爀椀瘀愀猀 洀攀戀攀氀攀猀Ⰰ 刀椀最愀 ⠀㈀㈀⸀　㘀⸀㈀　　㘀⤀ ⼀眀漀爀欀 椀渀 瀀爀漀最爀攀猀猀⼀㰀戀爀㸀 16th International Dance Festival, Kaunas, Lithuania (06.10.2006.) /premier/
਀㰀椀㸀吀栀攀 䌀漀爀渀攀爀猀琀漀渀攀 䘀攀猀琀椀瘀愀氀㰀⼀椀㸀Ⰰ 䰀椀瘀攀爀瀀漀漀氀 ⠀㈀㠀⸀Ⰰ㈀㤀⸀㄀㄀⸀㈀　　㘀⤀㰀戀爀㸀 Laiks dejot (Time to Dance), Sapnu fabrika, Riga (18.01.2007)
਀㰀椀㸀䰀愀椀欀猀 搀攀樀漀琀Ⰰ ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀Ⰰ 䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀 ⠀㈀㤀⸀　㌀⸀㈀　　㜀⤀㰀戀爀㸀 European Dance Platform, Künstlerhaus Mousonturm, Frankfurt, Germany (22.05.2008)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀圀愀琀攀爀 瀀椀攀挀攀猀㰀⼀栀㈀㸀 Dance and video project
਀㰀戀爀㸀 Choreography: Olga Zitluhina & dancers
਀嘀椀搀攀漀㨀 䨀愀渀椀猀 刀攀搀氀椀栀猀㰀戀爀㸀 Music: Erik Satie
਀䐀愀渀挀攀㨀 䤀氀稀攀 娀椀爀椀渀愀Ⰰ 刀愀洀漀渀愀 䜀愀氀欀椀渀愀Ⰰ 䰀椀攀渀攀 䈀攀爀稀椀渀愀Ⰰ 䄀渀搀爀椀猀 䬀愀挀愀渀漀瘀猀欀椀猀Ⰰ㰀戀爀㸀 Kristers Matusevics, Dmitrijs Gaitjukevics
਀㰀戀爀㸀 Performances:
਀䤀渀琀攀爀渀愀琀椀漀渀愀氀 瘀椀搀攀漀 愀爀琀 昀攀猀琀椀瘀愀氀 㰀椀㸀樀搁攀渀猀最愀戀愀氀椀ᤀ㰠⼀椀㸀 　㔀Ⰰ㰀戀爀㸀 Riga City Council vestibule (27.08.2005) /premier/
਀㰀椀㸀䰀愀椀欀猀 搀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀Ⰰ 匀愀瀀渀甀 昀愀戀爀椀欀愀Ⰰ 刀椀最愀渀 ⠀　㜀⸀㄀　⸀㈀　　㔀⤀ ⼀愀搀愀瀀琀攀搀 瘀攀爀猀椀漀渀⼀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀戀爀㸀

And Again About the Same. Part I

਀㰀椀㸀吀栀攀 搀愀渀挀攀 瀀椀攀挀攀 愀戀漀甀琀 搀椀昀昀攀爀攀渀琀 攀砀瀀爀攀猀猀椀漀渀猀 漀昀 氀漀瘀攀 ጀ㰠戀爀㸀 like that of a strawberry melting on the tongue, smarting sweetly,
਀昀甀氀氀 漀昀 氀漀渀最椀渀最 愀渀搀 愀 氀椀琀琀氀攀 爀漀洀愀渀挀攀 ጀ†琀栀攀 洀漀猀琀 戀攀愀甀琀椀昀甀氀 漀昀 氀椀昀攀ᤀ猠 攀洀漀琀椀漀渀猀⸀㰀⼀椀㸀㰀戀爀㸀
਀䌀栀漀爀攀漀最爀愀瀀栀礀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀Ⰰ 䘀椀漀渀愀 䴀椀氀氀眀愀爀搀 ⠀唀䬀⤀Ⰰ 搀愀渀挀攀爀猀㰀戀爀㸀 Music: Dzelzs Vilks /Juris Kaukulis, Kaspars Tobis/
਀䐀愀渀挀攀㨀 䤀氀稀攀 娀椀爀椀渀愀Ⰰ 䬀爀椀猀琀椀渀愀 匀甀欀猀琀甀氀攀Ⰰ 䰀椀攀渀攀 䈀攀爀稀椀渀愀Ⰰ 䜀甀渀琀椀猀 匀瀀爀椀搀稀愀渀猀㰀戀爀㸀 Andris Kacanovskis, Kristers Matusevics, Ramona Galkina, Dmitrijs Gaitjukevics
਀䌀漀猀琀甀洀攀猀⼀猀挀攀渀愀爀礀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀Ⰰ 䨀攀瘀最攀渀椀愀 一椀欀漀氀攀渀欀漀Ⰰ 䤀瘀攀琀愀 匀瀀愀爀戀攀爀最愀㰀戀爀㸀 Light design: Igor Kapustin (Estonia)
਀䌀栀漀爀攀漀最爀愀瀀栀攀爀ᤀ猠 愀猀猀椀猀琀愀渀琀㨀 刀愀洀漀渀愀 䜀愀氀欀椀渀愀㰀戀爀㸀
਀㰀戀㸀倀攀爀昀漀爀洀愀渀挀攀猀㨀㰀⼀戀㸀㰀戀爀㸀 Sapnu Fabrika, Riga (24.10.2004) /work in progress/
਀㰀椀㸀䰀愀椀欀猀 搀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀Ⰰ 䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ㰀戀爀㸀 Riga (09.01.2005) /work in progress/
਀匀愀瀀渀甀 䘀愀戀爀椀欀愀Ⰰ 刀椀最愀 ⠀㄀㤀⸀Ⰰ ㈀　⸀　㌀⸀㈀　　㔀⤀ ⼀瀀爀攀洀椀攀爀⼀㰀戀爀㸀 New Baltic Dance’ 05, Vilnius, Lithuania (06.05.2005)
਀倀愀瀀攀爀 昀愀挀琀漀爀礀 戀甀椀氀搀椀渀最Ⰰ 匀琀愀椀挀攀氀攀Ⰰ 䰀愀琀瘀椀愀 ⠀㄀㘀⸀　㠀⸀㈀　　㔀⤀㰀戀爀㸀 Mezmuiza, Ozolaine, Latvija (17.08.2005)
਀嘀愀氀洀椀攀爀愀ᤀ猠 䐀爀愀洀愀 吀栀攀愀琀爀攀Ⰰ 嘀愀氀洀椀攀爀愀Ⰰ 䰀愀琀瘀椀愀 ⠀㄀㤀⸀　㄀⸀㈀　　㘀⤀㰀戀爀㸀 Daugavpils Theatre, Daugavpils, Latvia (25.04.2006)
਀䐀漀爀琀洀甀渀搀Ⰰ 䜀攀爀洀愀渀礀 ⠀㈀㌀⸀Ⰰ㈀㐀⸀ 　㔀⸀ ㈀　　㘀⤀㰀戀爀㸀 Tanzfestival Bielefeld, Bielefeld, Germany (28.06.2006)
਀䈀愀氀瘀椀Ⰰ 䰀愀琀瘀椀愀 ⠀　㈀⸀ ㄀㄀⸀㈀　　㘀⤀㰀戀爀㸀 Ludza, Latvia (03.11.2006)
਀㰀椀㸀䌀漀渀琀攀洀瀀漀爀愀爀礀 䄀爀琀猀 䘀攀猀琀椀瘀愀氀 嘀椀爀甀猀㰀⼀椀㸀Ⰰ 匀栀愀甀氀愀椀Ⰰ 䰀椀琀栀甀愀渀椀愀 ⠀　㄀⸀㄀㈀⸀㈀　　㘀⤀㰀戀爀㸀 Laiks dejot (Time to Dance), Sapnu fabrika, Riga (17.01.2007)
਀䌀攀猀椀猀 䌀甀氀琀甀爀愀氀 䌀攀渀琀爀攀Ⰰ 䌀攀猀椀猀Ⰰ 䰀愀琀瘀椀愀 ⠀㈀　⸀　㐀⸀㈀　　㜀⤀㰀戀爀㸀 The Cornerstone Festival, Liverpool, UK (03.12.2007)
਀㰀椀㸀䴀甀猀攀甀洀猀ᤀ†一椀最栀琀㰀⼀椀㸀Ⰰ 䐀漀洀攀 礀愀爀搀Ⰰ 刀椀最愀 ⠀㄀㜀⸀　㔀⸀㈀　　㠀⤀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀戀爀㸀

Phrases I

਀䔀砀挀攀爀瀀琀猀 昀爀漀洀 㰀椀㸀伀氀最愀 娀椀琀氀甀栀椀渀愀 䐀愀渀挀攀 䌀漀洀瀀愀渀礀ᤀ猠㰀⼀椀㸀 爀攀瀀攀爀琀漀椀爀攀㰀戀爀㸀 (educational traveling project in Latvia and Norway)
਀㰀戀爀㸀 Choreography: Olga Zitluhina, Ilze Zirina, Guntis Spridzans,
਀䄀渀搀爀椀猀 䬀愀挀愀渀漀瘀猀欀椀猀Ⰰ 䬀爀椀猀琀攀爀猀 䴀愀琀甀猀攀瘀椀挀猀㰀戀爀㸀 Dance: Ilze Zirina, Guntis Spridzans, Andris Kacanovskis, Kristers Matusevics
਀㰀戀爀㸀 Performances:
਀㰀椀㸀䈀愀爀攀渀琀猀 䐀愀渀挀攀 䘀攀猀琀椀瘀愀氀㰀⼀椀㸀 愀渀搀 猀挀栀漀漀氀猀 椀渀 䠀愀洀洀攀爀昀攀猀琀Ⰰ 一漀爀眀愀礀㰀戀爀㸀 Schools and old people homes in Cesis, Limbazi (Latvia)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀吀栀攀 䈀椀爀搀猀㰀⼀栀㈀㸀 People/birds/creatures are living their colorful lives in some
਀搀攀琀攀爀洀椀渀攀搀 挀漀氀漀爀昀甀氀 猀瀀愀挀攀⸀ 䈀氀甀攀 椀猀 戀氀甀攀 愀渀搀 礀攀氀氀漀眀 椀猀 礀攀氀氀漀眀⸀㰀戀爀㸀 If you are a small bird, then there is some bigger… for sure.
਀㰀戀爀㸀 Choreography: Olga Zitluhina, Attila Khun (Hungary)
਀䴀甀猀椀挀㨀 嘀愀氀攀爀礀 娀甀欀漀瘀Ⰰ 匀眀攀攀琀 吀爀椀瀀㰀戀爀㸀 Dance: Ilze Ziriņa, Kristine Borodina, Kristina Sukstule, Ramona Galkina,
਀䰀椀攀渀攀 䈀攀爀稀椀渀愀Ⰰ 䜀甀渀琀椀猀 匀瀀爀椀搀稀愀渀猀Ⰰ 䄀渀搀爀椀猀 䬀愀挀愀渀漀瘀猀欀椀猀Ⰰ 䬀爀椀猀琀攀爀猀 䴀愀琀甀猀攀瘀椀挀猀Ⰰ㰀戀爀㸀 Valerijs Olehno, Dmitrijs Gaitjukevics
਀㰀戀爀㸀 Performances:
਀㰀椀㸀䰀愀椀欀猀 䐀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀Ⰰ 䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀 ⠀㄀㘀⸀　㘀⸀㈀　　㐀⤀ ⼀瀀爀攀洀椀攀爀⼀㰀戀爀㸀 Laiks dejot, (Time to Dance), Sapnu fabrika, Riga (24.10.2004)
਀㰀椀㸀䰀愀椀欀猀 搀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀Ⰰ 䜀爀椀瘀愀猀 洀攀戀攀氀攀猀Ⰰ 刀椀最愀 ⠀㈀　⸀　㘀⸀㈀　　㘀⤀㰀戀爀㸀 Laiks dejot, (Time to Dance), Daile’s Theatre, Small stage, Riga (29.02.2008)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀吀栀攀 䄀戀礀猀猀 圀椀琀栀椀渀㰀⼀栀㈀㸀 International project in honor of joining the European Union (Hungary).
਀㰀戀爀㸀 Choreography: Attila Khun (Hungary)
਀䐀愀渀挀攀㨀 娀椀爀椀䘀愁Ⰰ 䬀爀椀猀琀椀渀攀 䈀漀爀漀搀椀渀愀Ⰰ 䬀爀椀猀琀椀渀愀 匀甀欀猀琀甀氀攀Ⰰ 伀氀最愀 娀椀琀氀甀栀椀渀愀Ⰰ㰀戀爀㸀 Guntis Spridzans in collaboration with dancers from Hungary.
਀倀爀攀洀椀攀爀 椀渀 䈀甀搀愀瀀攀猀琀Ⰰ 䠀甀渀最愀爀礀 ⠀　㄀⸀　㔀⸀㈀　　㐀⤀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀戀爀㸀

When the Owl’s Tail Will Blossom… or Hallucinogenic Dances

਀㰀椀㸀匀攀瘀攀渀 搀愀渀挀攀爀猀Ⰰ 昀漀甀爀 洀甀猀椀挀椀愀渀猀Ⰰ ㄀　堀㄀　 洀攀琀攀爀猀 漀昀 氀椀最栀琀 最爀愀礀 搀愀渀挀攀 昀氀漀漀爀 椀渀㰀戀爀㸀 the center of Dream Factory.
਀一漀戀漀搀礀 椀猀 戀漀爀渀㬀 渀漀戀漀搀礀 最攀琀猀 洀愀爀爀椀攀搀㬀 渀漀戀漀搀礀 搀椀攀猀⸀ 䄀渀礀 洀攀洀漀爀礀 氀漀猀猀攀猀 愀渀搀㰀戀爀㸀 recovery in fresh white painted hospital rooms.
਀一漀 漀眀氀✀猀 椀渀瘀漀氀瘀攀搀⸀㰀戀爀㸀 So, what's the story about?
਀匀攀瘀攀渀 搀愀渀挀攀爀猀Ⰰ 昀漀甀爀 洀甀猀椀挀椀愀渀猀 昀爀漀洀 洀漀洀攀渀琀 琀漀 洀漀洀攀渀琀Ⰰ 昀爀漀洀 猀攀渀猀愀琀椀漀渀㰀戀爀㸀 to sensation, from ignorance to ignorance. From confidence that this
਀琀椀洀攀 攀瘀攀爀礀琀栀椀渀最 眀椀氀氀 戀攀 挀漀爀爀攀挀琀 戀愀挀欀 琀漀 琀栀攀 攀洀戀爀愀挀攀 漀昀 漀洀渀椀瀀爀攀猀攀渀琀 愀瀀瀀攀愀爀愀渀挀攀⸀㰀戀爀㸀 …Give up or reconcile…
਀㰀戀爀㸀 Choreography: Olga Zitluhina and dancers
਀䴀甀猀椀挀㨀 㰀椀㸀䐀稀攀氀稀猀 瘀椀氀欀猀㰀⼀椀㸀㰀戀爀㸀 Dance: Ilze Ziriņa, Inga Raudinga, Kristina Shukstule, Kristīine Borodina,
਀䜀甀渀琀椀猀 匀瀀爀椀搀稀愀渀猀Ⰰ 䬀爀椀猀琀攀爀猀 䴀愀琀甀猀攀瘀椀挀猀Ⰰ 䄀渀搀爀椀猀 䬀愀挀愀渀漀瘀猀欀椀猀Ⰰ㰀戀爀㸀 (Liene Berziņa, Ramona Galkina)
਀䌀漀猀琀甀洀攀猀㨀 匀栀攀礀氀愀㰀戀爀㸀 Light design: Harijs Zalitis
਀䌀栀漀爀攀漀最爀愀瀀栀攀爀ᤀ猠 愀猀猀椀猀琀愀渀琀㨀 刀愀洀漀渀愀 䜀愀氀欀椀渀愀㰀戀爀㸀 Premier in Sapnu fabrika (Riga, 03.,04.04.2004)
਀㰀戀爀㸀 Performances:
਀甀渀搀攀爀 琀栀攀 琀椀琀氀攀 ጀ†䘀氀愀猀栀戀愀挀欀Ⰰ 䈀甀搀愀瀀攀猀琀Ⰰ 䠀甀渀最愀爀礀 ⠀㌀　⸀　㐀⸀㈀　　㐀⤀ ⼀愀搀愀瀀琀攀搀 瘀攀爀猀椀漀渀㰀戀爀㸀 Vilnius, Lithuania (26.06.2004)
਀䬀氀愀椀瀀攀搀愀Ⰰ 䰀椀琀栀甀愀渀椀愀 ⠀㈀㔀⸀ 　㜀⸀㈀　　㐀⤀㰀戀爀㸀 Cesis, Latvia (15.08.2004)
਀䰀椀洀戀愀稀椀Ⰰ 䰀愀琀瘀椀愀 ⠀㄀㤀⸀　㠀⸀㈀　　㐀⤀㰀戀爀㸀 Liepaja, Latvia (19.08.2004)
਀䬀愀甀渀愀猀Ⰰ 䰀椀琀栀甀愀渀椀愀 ⠀　㘀⸀ⴀ㄀　⸀㄀　⸀㈀　　㐀⤀㰀戀爀㸀 Laiks Dejot (Time to Dance), Sapnu fabrika, Riga (17.11.2004)
਀嘀愀氀洀椀攀爀愀ᤀ猠 䐀爀愀洀愀 吀栀攀愀琀爀攀Ⰰ 嘀愀氀洀椀攀爀愀Ⰰ 䰀愀琀瘀椀愀 ⠀㄀㠀⸀　㄀⸀㈀　　㘀⤀㰀戀爀㸀 Arena Riga, Riga (10.11.2006)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀䘀椀氀氀 椀渀 琀栀攀 䜀愀瀀猀㰀⼀栀㈀㸀 British choreographer Sally Doughty worked with the Company
਀昀漀爀 琀眀漀 眀攀攀欀猀 愀渀搀 愀猀 愀 爀攀猀甀氀琀 愀渀 漀爀椀最椀渀愀氀 挀漀ⴀ瀀爀漀樀攀挀琀 挀愀氀氀攀搀 ∀䘀椀氀氀 椀渀 琀栀攀 最愀瀀猀∀㰀戀爀㸀 was created. The main idea of the piece is investigation of human movement.
਀䤀琀 猀瀀攀愀欀猀 愀戀漀甀琀 愀戀猀琀爀愀挀琀 戀漀搀椀攀猀 洀漀瘀椀渀最 椀渀 琀栀攀 猀瀀愀挀攀 愀渀搀 琀栀攀椀爀 爀攀氀愀琀椀漀渀猀㬀㰀戀爀㸀 about collapsing and recovering bodies and essence of movement.
਀㰀戀爀㸀 Choreography: Sally Doughty (Great Britain)
਀䐀愀渀挀攀㨀 䤀氀稀攀 娀椀爀椀渀愀Ⰰ 䤀渀最愀 刀愀甀搀椀渀最愀Ⰰ 刀愀洀漀渀愀 䜀愀氀欀椀渀愀Ⰰ 䬀爀椀猀琀椀渀攀 䈀漀爀漀搀椀渀愀Ⰰ㰀戀爀㸀 Kristina Sukstule, Olga Zitluhina, Guntis Spridzans,
਀䬀爀椀猀琀攀爀猀 䴀愀琀甀猀攀瘀椀挀猀Ⰰ 䄀渀搀爀椀猀 䬀愀挀愀渀漀瘀猀欀椀猀㰀戀爀㸀
਀㰀戀㸀倀攀爀昀漀爀洀愀渀挀攀猀㨀㰀⼀戀㸀㰀戀爀㸀 Latvian Academy of Culture, Riga (16.01.2004) /premier/
਀㰀椀㸀䰀愀椀欀猀 䐀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀Ⰰ 䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀 ⠀㄀㜀⸀　㈀⸀㈀　　㐀⤀㰀戀爀㸀 Laiks Dejot (Time to Dance), Daile’s Theatre, Small stage, Riga (16.06.2004)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀刀攀洀攀洀戀攀爀 琀漀 䘀漀爀最攀琀㰀⼀栀㈀㸀 Work in progress for When the Owl’s Tale Will Blossom.
਀㰀戀爀㸀
਀䌀栀漀爀攀漀最爀愀瀀栀礀㨀 伀氀最愀 娀椀琀甀栀椀渀愀㰀戀爀㸀 Dance: Ilze Zirina, Inga Raudinga, Ramona Galkina, Kristine Borodina,
਀䬀爀椀猀琀椀渀愀 匀甀欀猀琀甀氀攀Ⰰ 䜀甀渀琀椀猀 匀瀀爀椀搀稀愀渀猀Ⰰ 䬀爀椀猀琀攀爀猀 䴀愀琀甀猀攀瘀椀挀猀Ⰰ 䄀渀搀爀椀猀 䬀愀挀愀渀漀瘀猀欀椀猀㰀戀爀㸀 Performed at Laiks dejot (Time to Dance), Daile’s Theatre, Small stage, Riga (14.12.2003)
਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀匀漀甀爀挀攀 漀昀 䰀椀最栀琀㰀⼀栀㈀㸀 Solo pieces of applicants for dancer’s vacancies at
਀㰀椀㸀伀氀最愀 娀椀琀氀甀栀椀渀愀 䐀愀渀挀攀 䌀漀洀瀀愀渀礀㰀⼀椀㸀⸀ 
਀㰀戀爀㸀 Performed at Laiks Dejot (Time to Dance),
਀䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀 ⠀㄀　⸀㄀　⸀㈀　　㌀⤀㰀戀爀㸀
਀䐀愀渀挀攀爀猀 漀昀 㰀椀㸀伀氀最愀 娀椀琀氀甀栀椀渀愀 䐀愀渀挀攀 䌀漀洀瀀愀渀礀㰀⼀椀㸀㨀㰀戀爀㸀 Ilze Zirina, Inga Raudinga, Ramona Galkina, Kristine Borodina,
਀䬀爀椀猀琀椀渀愀 匀甀欀猀琀甀氀攀Ⰰ 䜀甀渀琀椀猀 匀瀀爀椀搀稀愀渀猀Ⰰ 䬀爀椀猀琀攀爀猀 䴀愀琀甀猀攀瘀椀挀猀Ⰰ 䄀渀搀爀椀猀 䬀愀挀愀渀漀瘀猀欀椀猀
਀㰀戀爀㸀
਀㰀戀爀㸀

Capriccio

਀㰀椀㸀䌀愀瀀爀椀挀挀椀漀 椀猀 愀 搀愀渀挀攀 瀀椀攀挀攀 愀戀漀甀琀 搀椀昀昀攀爀攀渀琀 欀椀渀搀猀 漀昀 氀椀琀琀氀攀 搀爀攀愀洀猀㰀戀爀㸀 and caprices in life. Three women create their own small universe filled
਀甀瀀 眀椀琀栀 洀攀洀漀爀椀攀猀 漀昀 琀栀攀 瀀愀猀琀 愀渀搀 搀爀攀愀洀猀 愀戀漀甀琀 琀栀攀椀爀 昀甀琀甀爀攀⸀㰀戀爀㸀 The reality and their stories, dreams and imaginations are mixing
਀甀瀀 愀渀搀 愀爀攀 戀爀漀甀最栀琀 琀漀最攀琀栀攀爀 椀渀琀漀 猀挀攀渀攀猀 昀甀氀氀 漀昀 琀攀渀搀攀爀渀攀猀猀 愀渀搀 樀漀礀Ⰰ㰀戀爀㸀 rage, discontent and hope
਀㰀戀爀㸀 Choreography: Bettina Holzhauzen (Switzerland)
਀䴀甀猀椀挀㨀 一椀欀漀氀漀 倀愀最愀渀椀渀椀Ⰰ 䴀愀渀甀攀氀愀 䬀攀氀氀攀爀Ⰰ 䘀攀氀椀砀 圀愀氀搀攀爀㰀戀爀㸀 Dance: Ilze Ziriņa, Inga Raudinga, Agnese Vanaga
਀䌀漀猀琀甀洀攀猀㨀 匀栀攀礀氀愀㰀戀爀㸀 Stage design: Art Rawding
਀㰀戀爀㸀 Performances:
਀䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀 ⠀　㌀⸀㄀㈀⸀㈀　　㈀⤀ ⼀瀀爀攀洀椀攀爀⼀㰀戀爀㸀 Valmiera’s Drama Theatre, Valmiera, Latvia (04.04.2003)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀䴀攀渀 圀愀渀琀攀搀㰀⼀栀㈀㸀 This is the dance piece about a woman – about a man in her life,
਀栀攀爀 攀瘀攀爀礀搀愀礀 氀椀昀攀 愀渀搀 椀渀渀攀爀 挀漀渀琀爀愀搀椀挀琀椀漀渀猀⸀ 匀栀攀 椀猀 愀氀眀愀礀猀 漀渀 琀栀攀 瘀攀爀最攀 ጀ㰠戀爀㸀 the beautiful and ugly, love and hate, strength and weakness, elegance and bad taste…
਀㰀戀爀㸀 Choreography: Olga Zitluhina
਀䴀甀猀椀挀㨀 䘀爀礀搀攀爀礀欀 䌀栀漀瀀椀渀Ⰰ 䘀氀椀砀 䰀愀樀欀㰀戀爀㸀 Dance: Ilze Zirina, Agnese Vanaga, Inga Raudinga, Ramona Galkina, Olga Zitluhina (Iveta Sparberga)਀㰀戀爀㸀 Costumes: Sheyla
਀匀琀愀最攀 搀攀猀椀最渀㨀 䄀爀琀 刀愀眀搀椀渀最㰀戀爀㸀 Premier at festival New Baltic Dance’01 (Vilnus, Lithuania, 20.04.2001)
਀㰀戀爀㸀 Performances:
਀䘀攀猀琀椀瘀愀氀 㰀椀㸀吀愀渀稀 吀爀愀渀稀椀琀㰀⼀椀㸀Ⰰ 䬀愀氀椀渀椀渀最爀愀搀Ⰰ 刀甀猀猀椀愀 ⠀㈀㔀⸀　㐀⸀㈀　　㄀⤀㰀戀爀㸀 Laiks Dejot (Time to Dance), Daile’s Theatre, Small stage, Riga (08.06.2001)
਀䘀攀猀琀椀瘀愀氀 㰀椀㸀䈀愀氀琀椀挀 䴀愀渀漀漀瘀攀爀㰀⼀椀㸀Ⰰ 㰀椀㸀䰀伀伀䘀吀㰀⼀椀㸀 琀栀攀愀琀爀攀Ⰰ 䰀攀椀瀀稀椀最Ⰰ 䜀攀爀洀愀渀礀 ⠀㄀㤀⸀㄀　⸀㈀　　㄀⤀㰀戀爀㸀 Festival Evalutioon’02, Tallinn, Estonia (02.03.2002)
਀㰀椀㸀䰀愀椀欀猀 䐀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀Ⰰ 䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀 ⠀　㘀⸀㈀　　㈀⤀㰀戀爀㸀 Des PLATEAUX 2003 de la BIENNALE, Paris, France (25.09.2003)
਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀倀漀瀀甀琀挀栀椀欀椀㰀⼀栀㈀㸀 We are constantly on the road, traveling from one destination to another.
਀匀椀琀甀愀琀椀漀渀猀 愀渀搀 瀀攀漀瀀氀攀 愀爀漀甀渀搀 甀猀 欀攀攀瀀 挀栀愀渀最椀渀最 挀漀渀猀琀愀渀琀氀礀 ⴀ 琀栀攀 洀愀搀 爀愀挀攀 漀昀 琀栀攀㰀戀爀㸀 end of the century as opposite to a monotonous trip that seems to last forever.
਀吀栀攀 猀氀漀眀ⴀ洀漀琀椀漀渀 眀漀爀氀搀 愀猀 眀攀 猀攀攀 椀琀 琀栀爀漀甀最栀 琀栀攀 眀椀渀搀漀眀 漀昀 愀 琀爀愀椀渀 猀甀搀搀攀渀氀礀 挀愀渀 琀甀爀渀㰀戀爀㸀 into a lively fuss of the railway station.
਀㰀戀爀㸀 Choreography: Olga Zitluhina
਀䴀甀猀椀挀㨀 䨀漀栀愀渀渀 匀攀戀愀猀琀椀愀渀 䈀愀挀栀Ⰰ 䴀椀挀栀 䜀攀爀戀攀爀Ⰰ 昀爀漀洀 洀漀瘀椀攀 㰀椀㸀刀椀漀 刀椀琀愀㰀⼀椀㸀㰀戀爀㸀 Dance: Ilze Ziriņa, Agnese Vanaga, Iveta Sparberga, Ramona Galkina, Olga Zitluhina
਀䌀漀猀琀甀洀攀猀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀㰀戀爀㸀
਀㰀戀㸀倀攀爀昀漀爀洀愀渀挀攀猀㨀㰀⼀戀㸀㰀戀爀㸀 Festival New Baltic Dance’99, Vilnius, Lithuania
਀堀䤀䤀 䤀渀琀攀爀渀愀琀椀漀渀愀氀 䘀攀猀琀椀瘀愀氀 漀昀 䴀漀搀攀爀渀 䌀栀漀爀攀漀最爀愀瀀栀礀Ⰰ 嘀椀琀攀戀猀欀Ⰰ 䈀礀攀氀漀爀甀猀猀椀愀 ⠀㄀㄀⸀㄀㤀㤀㤀⤀㰀戀爀㸀 Baltic platform Les Recontres Choreographiques de Saine- Saint-Denis
਀愀琀 昀攀猀琀椀瘀愀氀 㰀椀㸀䔀瘀漀氀甀琀猀椀漀漀渀ᤀ〠　㰀⼀椀㸀Ⰰ 吀愀氀氀椀渀渀Ⰰ 䔀猀琀漀渀椀愀 ⠀㈀㜀⸀　㈀⸀㈀　　　⤀㰀戀爀㸀 New Baltic Dance Festival, Vilnius, Lithuania (08.04.2000)
਀䘀攀猀琀椀瘀愀氀 㰀椀㸀䤀洀瀀甀氀猀攀㰀⼀椀㸀Ⰰ 䬀椀猀栀椀渀攀瘀Ⰰ 䴀漀氀搀漀瘀愀 ⠀㈀㘀⸀　㔀⸀㈀　　　⤀㰀戀爀㸀 Performances in Sweden – Stockholm, Vesteros (10.11.2000)
਀㰀椀㸀䰀愀椀欀猀 䐀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀 䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀 ⠀㈀㜀⸀Ⰰ㈀㠀⸀㄀㄀⸀㈀　　　⤀㰀戀爀㸀 Festival Exercise - 2000, St. Petersburg, Russia (19.12.2000)
਀㰀椀㸀䰀愀椀欀猀 䐀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀 䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀 ⠀㠀⸀ 　㘀⸀㈀　　㄀⤀㰀戀爀㸀 International Serge Djaghilev Competition of Choreography Art,
਀䜀搀愀渀猀欀Ⰰ 倀漀氀愀渀搀 ⠀㌀　⸀　㐀⸀㈀　　㈀⤀㰀戀爀㸀 Laiks dejot (Time to Dance), Grivas mebeles, Riga (20.06.2006)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀㜀 䴀愀爀最愀爀椀琀栀愀猀 ⬀ ㈀㰀⼀栀㈀㸀 Choreography version of rock opera Faustus Deus Ex Machina
਀昀漀爀 猀攀瘀攀渀 搀愀渀挀攀爀猀 愀渀搀 琀眀漀 洀甀猀椀挀椀愀渀猀 椀渀 挀漀漀瀀攀爀愀琀椀漀渀㰀戀爀㸀 with rock band Deus Ex Machina(Andris Vilcans, Juris Kaukulis)
਀㰀戀爀㸀 Choreography: Olga Zitluhina
਀䴀甀猀椀挀㨀 䄀渀搀爀椀猀 嘀椀氀挀愀渀猀㰀戀爀㸀 Dance: Ilona Petrika, Ramona Galkina, Ilze Zirina, Agnese Vanaga,
਀䤀渀最甀渀愀 䤀攀瘀椀渀愀Ⰰ 䄀椀樀愀 匀琀愀氀甀渀攀Ⰰ 䤀瘀攀琀愀 匀瀀愀爀戀攀爀最愀Ⰰ 伀氀最愀 娀椀琀氀甀栀椀渀愀Ⰰ 䄀洀攀氀椀攀 倀栀愀渀琀攀渀㰀戀爀㸀 Performed at festival New Baltic Dance’99, Vilnius, Lithuania (16.03.1999)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀䘀愀甀猀琀甀猀 䐀攀甀猀 䔀堀 䴀愀挀栀椀渀愀㰀⼀栀㈀㸀 Rock opera
਀䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀㰀戀爀㸀
਀䐀椀爀攀挀琀椀漀渀㨀 䐀稀⸀ 䐀稀⸀ 䐀稀椀氀椀渀搀稀攀爀猀㰀戀爀㸀 Choreography: Olga Zitluhina
਀䴀甀猀椀挀㨀 䄀渀搀爀椀猀 嘀椀氀挀愀渀猀㰀戀爀㸀 Dance: Ilona Petrika, Ramona Galkina, Ilze Zirina, Agnese Vanaga,
਀䤀渀最甀渀愀 䤀攀瘀椀渀愀Ⰰ 䄀椀樀愀 匀琀愀氀甀渀攀Ⰰ 䤀瘀攀琀愀 匀瀀愀爀戀攀爀最愀Ⰰ 伀氀最愀 娀椀琀氀甀栀椀渀愀Ⰰ 䄀洀攀氀椀攀 倀栀愀渀琀攀渀㰀戀爀㸀 Premier in Latvia Daile’s Theatre, Riga (02. 1999)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀倀愀爀琀 吀眀漀㰀⼀栀㈀㸀 ...Is it needed? Why? Where? Why for?... Does anyone care?
਀吀栀攀 洀愀椀渀 椀搀攀愀 椀猀 栀漀眀 愀渀搀 眀椀琀栀 眀栀漀洀☀㰠⼀椀㸀㰀戀爀㸀
਀䌀栀漀爀攀漀最爀愀瀀栀礀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀㰀戀爀㸀 Music: Aram Hachaturyan, Michel Besson, Jael
਀䐀愀渀挀攀㨀 䄀椀樀愀 匀琀愀氀甀渀攀Ⰰ 䤀氀漀渀愀 倀攀琀爀椀欀愀Ⰰ 䤀氀稀攀 娀椀爀椀渀愀Ⰰ 㰀戀爀㸀 Olga Zitluhina, Inguna Ievina, Agnese Vanaga, Ramona Galkina
਀䌀漀猀琀甀洀攀猀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀㰀戀爀㸀
਀㰀戀㸀倀攀爀昀漀爀洀愀渀挀攀猀㨀㰀⼀戀㸀㰀戀爀㸀 Evening of international contemporary choreographies,
਀䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀 ⠀㈀㔀⸀㄀　⸀㄀㤀㤀㠀⤀ ⼀ 眀漀爀欀 椀渀 瀀爀漀最爀攀猀猀⼀㰀戀爀㸀 Evening of contemporary choreographies Six Contemporary Choreographies
਀䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀 ⠀㈀㤀⸀㄀㄀⸀㄀㤀㤀㠀⤀㰀戀爀㸀 New Baltic Dance’ 98, Vilnius, Lithuania (16.03.1999)
਀䘀攀猀琀椀瘀愀氀 㰀椀㸀匀琀甀ⴀ䐀愀渀挀攀㰀⼀椀㸀ᤀ†㈀Ⰰ 伀搀攀猀猀愀Ⰰ 唀欀爀愀椀渀攀 ⠀　㘀⸀㄀㤀㤀㤀⤀㰀戀爀㸀 Time to Dance, Daile’s Theatre, Small stage, Riga (27., 28.11.2000.) /fragments/
਀㄀猀琀 䤀渀琀攀爀渀愀琀椀漀渀愀氀 䐀愀渀挀攀 䘀攀猀琀椀瘀愀氀 㰀椀㸀䰀愀椀欀猀 搀攀樀漀琀 ⠀吀椀洀攀 琀漀 䐀愀渀挀攀⤀㰀⼀椀㸀Ⰰ 刀椀最愀 ⠀㄀㤀⸀ጀ㈠㈀⸀　㘀⸀㈀　　㘀⸀⤀ ⼀昀爀愀最洀攀渀琀猀⼀
਀㰀戀爀㸀
਀㰀戀爀㸀

Spitting, Whistling in the Ceilingns

਀㰀椀㸀☀䐠漀渀✀琀 氀漀猀攀 琀栀攀 戀攀愀甀琀礀 漀昀 琀栀攀 洀漀洀攀渀琀Ⰰ 琀栀椀渀欀椀渀最 愀戀漀甀琀 琀栀攀 昀甀琀甀爀攀☀㰠⼀椀㸀㰀戀爀㸀
਀䌀栀漀爀攀漀最爀愀瀀栀礀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀㰀戀爀㸀 Music: George Frideric Handel, Les Negresses Vertes
਀䐀愀渀挀攀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀Ⰰ 䤀氀稀攀 娀椀爀椀渀愀Ⰰ 䤀氀漀渀愀 倀攀琀爀椀欀愀Ⰰ 䤀瘀攀琀愀 匀瀀愀爀戀攀爀最愀Ⰰ 㰀戀爀㸀 Agnese Vanaga, Janis Bormanis, Inguna Ievina, Ramona Galkina, Velga Sturite
਀䌀漀猀琀甀洀攀猀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀㰀戀爀㸀 Performances:
਀䌀漀渀琀攀洀瀀漀爀愀爀礀 䐀愀渀挀攀 䘀攀猀琀椀瘀愀氀Ⰰ 吀愀氀氀椀渀渀Ⰰ 䔀猀琀漀渀椀愀 ⠀　㘀⸀㄀　⸀㄀㤀㤀㘀⤀ ⼀瀀爀攀洀椀攀爀⼀㰀戀爀㸀 Daile’s Theatre, Small stage, Riga (08.03.1998)
਀䔀愀猀琀 䔀甀爀漀瀀攀愀渀 䌀漀渀琀攀洀瀀漀爀愀爀礀 䐀愀渀挀攀 䌀栀漀爀攀漀最爀愀瀀栀礀 挀漀渀琀攀猀琀Ⰰ 䈀甀搀愀瀀攀猀琀Ⰰ 䠀甀渀最愀爀礀 ⠀㄀㤀㤀㠀⤀㰀戀爀㸀 New Baltic Dance’ 98, Vilnius, Lithuania (28.05.1998)
਀䘀漀甀爀 瀀攀爀昀漀爀洀愀渀挀攀猀 愀琀 昀攀猀琀椀瘀愀氀 䔀愀猀琀 漀昀 䔀搀攀渀㰀戀爀㸀 in Dance Theatre Workshop, New York, USA (03.06. – 06.06.1998)
਀䘀攀猀琀椀瘀愀氀 唀渀椀瘀攀爀猀椀琀礀 漀昀 䐀愀渀挀攀Ⰰ 䜀搀愀渀猀欀Ⰰ 倀漀氀愀渀搀 ⠀　㘀⸀㄀㤀㤀㠀⤀㰀戀爀㸀 Evening of International Contemporary Choreographies,
਀䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀Ⰰ ⠀㈀㔀⸀㄀　⸀㄀㤀㤀㠀⤀㰀戀爀㸀 Evening of contemporary choreographies Time to Dance,
਀䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀 ⠀㈀㜀⸀Ⰰ㈀㠀⸀㄀㄀⸀㈀　　　⤀
਀㰀戀爀㸀
਀㰀戀爀㸀

Knasif –The World of Dreams

਀伀氀最愀 娀椀琀氀甀栀椀渀愀 䐀愀渀挀攀 䌀漀洀瀀愀渀礀 愀琀 洀甀猀椀挀愀氀 瀀攀爀昀漀爀洀愀渀挀攀 㰀椀㸀䬀渀愀猀椀昀 ጀ†琀栀攀 圀漀爀氀搀 漀昀 䐀爀攀愀洀猀㰀⼀椀㸀㰀戀爀㸀 in New Riga Theatre, Riga (1997)਀㰀戀爀㸀
਀㰀戀爀㸀
਀㰀栀㈀㸀吀栀攀 吀栀爀攀攀 刀愀椀渀猀㰀⼀栀㈀㸀 Do you always know where are you going?
਀䤀 搀漀渀ᤀ琠⸀ 䤀 愀洀 樀甀猀琀 最漀椀渀最☀㰠戀爀㸀 …but where does the rain go?
਀㰀戀爀㸀 Choreography: Olga Zitluhina
਀䴀甀猀椀挀㨀 匀愀椀渀琀ⴀ倀爀攀甀砀Ⰰ 䄀氀攀砀 䐀甀渀攀Ⰰ 䜀愀琀椀猀 䬀爀甀洀椀渀猀 ⠀琀爀甀洀瀀攀琀 猀漀氀漀㰀戀爀㸀 Dance: Ilona Petrika, Aija Stalune, Iveta Sparberga, Ella Skvorcova,
਀伀氀最愀 娀椀琀氀甀栀椀渀愀Ⰰ 刀愀洀漀渀愀 䜀愀氀欀椀渀愀㰀戀爀㸀 Costumes: Olga Zitluhina
਀㰀戀㸀倀攀爀昀漀爀洀愀渀挀攀猀㨀㰀⼀戀㸀㰀戀爀㸀 New Baltic Dance Festival, Vilnius, Lithuania (03.1997.)
਀䘀攀猀琀椀瘀愀氀 䈀愀氀琀椀挀 唀渀椀瘀攀爀猀椀琀礀 漀昀 䐀愀渀挀攀Ⰰ 䜀搀礀渀愀Ⰰ 倀漀氀愀渀搀 ⠀㄀㜀⸀　㘀⸀㄀㤀㤀㜀⸀⤀㰀戀爀㸀 X International Modern Dance Festival, Vitebsk, Byelorussia
਀䐀愀椀氀攀ᤀ猠 吀栀攀愀琀爀攀Ⰰ 匀洀愀氀氀 猀琀愀最攀Ⰰ 刀椀最愀 ⠀　㠀⸀　㌀⸀㄀㤀㤀㠀⸀⤀
਀㰀戀爀㸀
਀㰀戀爀㸀

Herring’s Vacation

਀☀搠爀攀愀洀 愀戀漀甀琀 甀渀愀瀀瀀爀漀愀挀栀愀戀氀攀☀†䄀氀猀漀 搀爀椀攀搀 栀攀爀爀椀渀最 眀愀渀琀猀 琀漀 猀眀椀洀⸀㰀戀爀㸀
਀䌀栀漀爀攀漀最爀愀瀀栀礀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀㰀戀爀㸀 Music: Johann Sebastian Bach, Les Fly’s, Nils Ile (percussions)
਀䐀愀渀挀攀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀Ⰰ 䤀氀漀渀愀 倀攀琀爀椀欀愀Ⰰ 刀愀洀漀渀愀 䜀愀氀欀椀渀愀Ⰰ 䤀瘀攀琀愀 匀瀀愀爀戀攀爀最愀Ⰰ 㰀戀爀㸀 Inguna Ieviņa, Ella Skvorcova, Krista Zelmane
਀䌀漀猀琀甀洀攀猀㨀 伀氀最愀 娀椀琀氀甀栀椀渀愀㰀戀爀㸀 Performances:
਀䴀漀搀攀爀渀 䐀愀渀挀攀 䘀攀猀琀椀瘀愀氀 椀渀 䬀愀甀渀愀猀Ⰰ 䰀椀琀栀甀愀渀椀愀 ⠀　㘀⸀㄀　⸀㄀㤀㤀㘀⸀⤀ ⼀瀀爀攀洀椀攀爀⼀㰀戀爀㸀 New Riga Theatre, Small stage, Riga (28.10.1996.)
਀㈀渀搀 䤀渀琀攀爀渀愀琀椀漀渀愀氀 䈀愀氀琀椀挀 䈀愀氀氀攀琀 䘀攀猀琀椀瘀愀氀Ⰰ 刀椀最愀 ⠀㈀㘀⸀　㐀⸀㄀㤀㤀㜀⸀⤀㰀戀爀㸀 Daile’s Theatre, Small stage, Riga (08.03.1998.)
਀
਀      㰀愀 栀爀攀昀㴀∀䔀一䜀瀀爀漀樀攀挀琀猀⸀栀琀洀∀㸀㰀椀洀最 猀爀挀㴀∀椀洀愀最攀猀⼀戀甀琀开栀漀洀攀⸀最椀昀∀ 眀椀搀琀栀㴀∀㄀　　∀ 栀攀椀最栀琀㴀∀㄀㈀∀ 戀漀爀搀攀爀㴀∀　∀ 愀氀琀㴀∀栀漀洀攀∀㸀㰀⼀愀㸀 ਀㰀⼀戀漀搀礀㸀 ਀਀