㰀䠀䔀䄀䐀㸀
Laiks Dejot 2008㰀⼀䠀䔀䄀䐀㸀
㰀戀漀搀礀 䈀䜀䌀伀䰀伀刀㴀∀⌀㔀㜀搀 ㈀∀ 吀䔀堀吀㴀∀猀椀氀瘀攀爀∀ 䰀䤀一䬀㴀∀瀀椀渀欀∀ 䄀䰀䤀一䬀㴀∀瀀椀渀欀∀ 嘀䰀䤀一䬀㴀∀瀀椀渀欀∀㸀
㰀琀爀㸀
 | 㰀⼀琀爀㸀
㰀琀搀㸀 㰀愀 栀爀攀昀㴀∀眀漀爀欀猀栀漀瀀猀开 㠀⸀栀琀洀∀㸀㰀椀洀最 戀漀爀搀攀爀㴀∀ ∀ 猀爀挀㴀∀椀洀愀最攀猀⼀眀漀爀欀开戀甀琀⸀最椀昀∀ 眀椀搀琀栀㴀∀㌀㠀∀ 栀攀椀最栀琀㴀∀㈀㠀∀㸀㰀⼀愀㸀㰀⼀琀搀㸀
 | 㰀琀搀㸀 㰀愀 栀爀攀昀㴀∀瀀爀椀挀攀猀开 㠀⸀栀琀洀∀㸀㰀椀洀最 戀漀爀搀攀爀㴀∀ ∀ 猀爀挀㴀∀椀洀愀最攀猀⼀瀀爀椀挀攀开戀甀琀⸀最椀昀∀ 眀椀搀琀栀㴀∀㈀㠀∀ 栀攀椀最栀琀㴀∀㈀㠀∀㸀㰀⼀愀㸀㰀⼀琀搀㸀
 | 㰀⼀琀爀㸀
㰀戀爀㸀
㰀戀爀㸀
Yanira Castro & Company (ASV)
㰀椀㸀䐀䄀刀䬀 䠀伀刀匀䔀 ⼀ 䈀䰀䄀䌀䬀 䘀伀刀䔀匀吀 ⠀㐀 ᠀⤠ 㰀⼀椀㸀㰀⼀戀㸀㰀戀爀㸀
㰀戀爀㸀
㰀戀爀㸀
㰀椀㸀倀栀漀琀漀㨀 夀愀渀椀爀愀 䌀愀猀琀爀漀㰀⼀椀㸀㰀戀爀㸀
㰀戀爀㸀
Sunday, June 8 / Daile Theatre
䴀漀渀搀愀礀Ⰰ 䨀甀渀攀 㤀 ⼀ 䐀愀椀氀攀 吀栀攀愀琀爀攀㰀戀爀㸀
㰀戀爀㸀
Direction & Choreography: Yanira Castro
䐀愀渀挀攀㨀 䠀攀愀琀栀攀爀 伀氀猀漀渀 ☀ 䨀漀猀攀瀀栀 倀漀甀氀猀漀渀㰀戀爀㸀
Sound: Stephan Moore
䌀漀猀琀甀洀攀猀㨀 匀甀稀愀渀渀攀 䐀漀甀最愀渀㰀戀爀㸀
Lighting: Kathy Couch
㰀戀爀㸀
䐀愀爀欀 䠀漀爀猀攀⼀䈀氀愀挀欀 䘀漀爀攀猀琀 椀猀 愀 猀椀琀攀ⴀ戀愀猀攀搀 眀漀爀欀⸀㰀戀爀㸀
It is an intensely performed love story presented in the
洀漀猀琀 椀渀琀椀洀愀琀攀 猀瀀愀挀攀㨀 愀 戀愀琀栀爀漀漀洀⸀ 吀栀攀 愀甀搀椀攀渀挀攀 椀猀 瀀爀椀瘀礀 琀漀㰀戀爀㸀
an emotional and private exchange between a man and a woman
琀栀愀琀 攀瘀漀氀瘀攀猀 椀渀琀漀 愀 昀漀爀洀愀氀Ⰰ 猀攀渀猀甀愀氀 搀愀渀挀攀☀†瀀爀椀猀琀椀渀攀 愀渀搀 猀琀愀爀欀⸀㰀戀爀㸀
Set in individual private bathrooms, public bathrooms or an
椀洀洀攀爀猀椀瘀攀 椀渀猀琀愀氀氀愀琀椀漀渀 搀攀猀椀最渀攀搀 戀礀 䌀⸀ 䴀攀爀爀椀琀琀 䠀漀甀最栀琀漀渀 昀漀爀 琀栀攀愀琀攀爀猀㰀戀爀㸀
or galleries, the dance is performed for small intimate audiences.
㰀戀爀㸀
Dark Horse/Black Forest expands Yanira Castro + Company’s
攀砀瀀氀漀爀愀琀椀漀渀 漀昀 愀甀搀椀攀渀挀攀 攀渀瘀椀爀漀渀洀攀渀琀猀㨀 栀漀眀 愀渀 漀戀猀攀爀瘀攀爀 愀渀搀 愀 瀀攀爀昀漀爀洀攀爀㰀戀爀㸀
connect to the work, how they participate, how a space influences, and how
琀栀攀 瀀攀爀昀漀爀洀愀渀挀攀 愀搀搀爀攀猀猀攀猀 琀栀椀猀 洀攀攀琀椀渀最 瀀氀愀挀攀⸀ 吀栀攀 瀀攀爀昀漀爀洀攀爀猀 愀渀搀 愀甀搀椀攀渀挀攀㰀戀爀㸀
inhabit the bathroom or installation together. There are no theatrical divisions,
愀氀氀漀眀椀渀最 琀栀攀 愀甀搀椀攀渀挀攀 挀氀漀猀攀 瀀爀漀砀椀洀椀琀礀 琀漀 琀栀攀 愀挀琀椀漀渀⸀ 吀栀攀 瀀攀爀昀漀爀洀攀爀猀ᤀ†攀洀漀琀椀漀渀愀氀㰀戀爀㸀
interactions are palpable and evolving right next to the audience throughout the
瀀攀爀昀漀爀洀愀渀挀攀⸀ 吀栀攀 攀砀瀀攀爀椀攀渀挀攀 椀猀 渀漀琀 漀渀攀 漀昀 搀椀猀琀愀渀挀攀Ⰰ 漀昀 愀渀 椀洀愀最攀 昀爀愀洀攀搀Ⰰ 戀甀琀㰀戀爀㸀
of action and event occurring unpredictably beside and around you.
㰀戀爀㸀
The sound score by composer and musician Stephan Moore plays out of
愀 瀀漀爀琀愀戀氀攀 挀愀猀猀攀琀琀攀 瀀氀愀礀攀爀 瀀爀漀瘀椀搀攀搀 戀礀 琀栀攀 䌀漀洀瀀愀渀礀 愀渀搀 洀愀渀椀瀀甀氀愀琀攀搀 戀礀 琀栀攀㰀戀爀㸀
performers. The costumes by costume designer Suzanne Dougan are inspired
戀礀 刀漀洀愀渀椀愀渀⼀䔀愀猀琀攀爀渀 䔀甀爀漀瀀攀愀渀 搀爀攀猀猀ⴀⴀ瀀愀爀琀椀挀甀氀愀爀氀礀 琀栀愀琀 漀昀 爀甀爀愀氀 挀漀洀洀甀渀椀琀椀攀猀ⴀⴀ㰀戀爀㸀
where the piece was originally developed.
㰀戀爀㸀
Dark Horse/Black Forest is 40 minutes long and can be presented in any
瀀甀戀氀椀挀 漀爀 瀀爀椀瘀愀琀攀 戀愀琀栀爀漀漀洀 漀爀 愀渀 椀渀猀琀愀氀氀愀琀椀漀渀 挀爀攀愀琀攀搀 昀漀爀 愀 琀栀攀愀琀攀爀 漀爀 最愀氀氀攀爀礀⸀㰀戀爀㸀
The size of the audience depends entirely on the size of the bathroom or installation
愀渀搀 挀愀渀 戀攀 瀀攀爀昀漀爀洀攀搀 洀甀氀琀椀瀀氀攀 琀椀洀攀猀 椀渀 愀渀 攀瘀攀渀椀渀最⸀㰀戀爀㸀
㰀戀爀㸀
Yanira Castro + Company
愀 一攀眀 夀漀爀欀 䌀椀琀礀 戀愀猀攀搀 攀渀猀攀洀戀氀攀 漀昀 搀愀渀挀攀爀猀 愀渀搀 搀攀猀椀最渀攀爀猀 琀栀愀琀 昀甀猀攀猀㰀戀爀㸀
experiments in movement with original music and visual elements such as
瘀椀搀攀漀 愀渀搀 椀渀猀琀愀氀氀愀琀椀漀渀猀 琀漀 挀爀攀愀琀攀 瘀椀瘀椀搀Ⰰ 挀漀渀琀攀洀瀀漀爀愀爀礀 瀀攀爀昀漀爀洀愀渀挀攀猀⸀㰀戀爀㸀
The Company develops environments for each piece at individual sites
愀渀搀 琀栀攀愀琀攀爀猀Ⰰ 挀漀渀猀琀爀甀挀琀椀渀最 猀挀攀渀愀爀椀漀猀 昀漀爀 漀甀爀 愀甀搀椀攀渀挀攀猀 琀栀愀琀 琀爀愀渀猀昀漀爀洀 愀渀搀㰀戀爀㸀
engage their experience of the work. Ranging from stark, minimalist movement
瀀椀攀挀攀猀 琀漀 洀甀氀琀椀洀攀搀椀愀 瀀爀漀樀攀挀琀猀Ⰰ 琀栀攀 眀漀爀欀 瀀氀甀渀搀攀爀猀 戀攀栀愀瘀椀漀爀猀Ⰰ 最攀猀琀甀爀攀猀Ⰰ 愀渀搀 椀洀愀最攀猀㰀戀爀㸀
to evoke emotional landscapes. From two dancers moving in strict unison within
愀渀 愀氀氀ⴀ眀栀椀琀攀 爀漀漀洀 最氀漀眀椀渀最 椀渀 昀氀甀漀爀攀猀挀攀渀琀 氀椀最栀琀Ⰰ 琀漀 琀栀攀 瀀攀爀昀漀爀洀攀爀 氀攀愀瀀椀渀最 椀渀 愀 昀椀攀氀搀㰀戀爀㸀
of translucent, plastic sheets, each performance creates its own distinctive world.倀甀攀爀琀漀ⴀ刀椀挀愀渀 戀漀爀渀 挀栀漀爀攀漀最爀愀瀀栀攀爀 夀愀渀椀爀愀 䌀愀猀琀爀漀 栀愀猀 戀攀攀渀 戀愀猀攀搀 椀渀 一攀眀 夀漀爀欀 䌀椀琀礀㰀戀爀㸀
since 1994. her work has been presented in a variety of venues in New York, including
䐀愀渀挀攀 吀栀攀愀琀攀爀 圀漀爀欀猀栀漀瀀Ⰰ 䐀愀渀猀瀀愀挀攀 倀爀漀樀攀挀琀Ⰰ 䴀漀瘀攀洀攀渀琀 爀攀猀攀愀爀挀栀 愀琀 琀栀攀 䨀甀搀猀漀渀 䌀栀甀爀挀栀Ⰰ㰀戀爀㸀
HERE Arts Center, Tribeca Performing Arts Center, and Dixon Place.
吀栀攀 䌀漀洀瀀愀渀礀 栀愀猀 戀攀攀渀 瀀爀攀猀攀渀琀攀搀 渀愀琀椀漀渀愀氀氀礀 椀渀 倀攀渀渀猀礀氀瘀愀渀椀愀Ⰰ 圀愀猀栀椀渀最琀漀渀 䐀䌀Ⰰ㰀戀爀㸀
San Juan, Massachusetts; and internationally at the Festival Off d’Avignon in France
愀渀搀 愀琀 琀栀攀 䜀攀漀爀最攀 䈀愀挀漀瘀椀愀 吀栀攀愀琀攀爀 椀渀 䈀愀挀愀甀Ⰰ 刀漀洀愀渀椀愀⸀㰀戀爀㸀
㰀琀愀戀氀攀 戀漀爀搀攀爀㴀∀ ∀ 眀椀搀琀栀㴀∀㘀 ∀㸀
㰀琀搀㸀 㰀愀 栀爀攀昀㴀∀眀漀爀欀猀栀漀瀀猀开 㠀⸀栀琀洀∀㸀㰀椀洀最 戀漀爀搀攀爀㴀∀ ∀ 猀爀挀㴀∀椀洀愀最攀猀⼀戀愀挀欀⸀最椀昀∀ 眀椀搀琀栀㴀∀㌀ ∀ 栀攀椀最栀琀㴀∀㈀㜀∀㸀㰀⼀愀㸀㰀⼀琀搀㸀
 | 㰀⼀琀爀㸀
㰀⼀䘀伀一吀㸀
㰀⼀䠀吀䴀䰀㸀