Category Archives: workhops, residencies, festivals abroad

Workshops / Time To Dance 2011

 
This year workshops will be organised for intermmediate and professional level.
Place: Riga Choreography School ( Kalnciema street 10 / 12, Riga, Latvia )

Workshops, A level (professionals)
workshops for professionals during international contemporary dance festival TIME TO DANCE 2011

Date

Monday,
13.06.201110.00–11.30
Tatiana Gordeeva
(Russia)
Contemporary technique
12.00–13.30
Virpi Juntti
(Finland)
Contemporary
technique
About the class14.00–15.30
Hillel Kogan
(Israel)
Gaga
About the class

Tuesday,
14.06.201110:00-11:30
Virpi Juntti
(Finland)
Contemporary technique
About the class12:00-13:30
Hillel Kogan
(Israel)
Gaga
About the class14:00-15:30
Evgeny Pankratov
(Russia)
Contemporary […]

Gaga / Naharin by Hillel Kogan ( Israel )

Gaga / Naharin
Gaga/Naharin is a movement language developed over the last decade by Ohad Naharin, Batsheva’s long-time artistic director, in the Batsheva studios. This expressive and dynamic movement language is used daily by dancers of the Batsheva Dance Company and Batsheva Ensemble as the basis for their distinctive technique.
In frames of Time to dance 2011
Open for professional […]

Evolutional body by Laura Kalaus ( Switzerland )

Evolutional body
The workshop will introduce a training system based on the Body Weather Laboratory (BWL), a body practice founded in Japan in early 1980’s by Min Tanaka
and Hisako Horikawa.
In frames of Time to dance 2011.
Open for professional level

 
It is based on the systematic practice of disorientation and the challenge of
abandoning common places. BWL investigates the […]

Contemporary technique class by Evgenij Pankratov ( Russia )

 
In frames of Time To Dance 2011
June 13, 14 , 16, 2011.
Classes for intermediate and professional level

The lesson starts with yoga for dancers exercises combining stretching
and muscle-strengthening positions with accent on the breathing. It
continues with parter phrases which aim to scrutiny the process of
energy expending within the movement and watching of the one-tone
action. It […]